Before signing on with MGM in 1930, Hurrell worked out of a humble studio near Los Angeles and owned very little lighting gear. Most of the Novarro portraits are lit by a single light plus reflector. By changing relative positions of subject, background, and light, and by altering the light’s character with diffusers and reflectors, Hurrell transformed his subject into a glamorous icon. You could do it for your subjects, too.
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