Cable Rolling

If you ever shoot any events with a big-time crew for a company like ESPN, one of the most important things to know is how to roll cables using the "over-and-under" method. This helps avoid the cable getting tangled up and makes the next set-up easier. It's not easy to learn without seeing it, but here are two articles that may help.
This one is about audio cables, but the same principles apply.
This one is from Pro Lights and Staging News, which is a little off topic, but it looks like it could have some other interesting articles. I'll check it out further when I have more time. Here's the gist of the article:

How you take it up is important too, for your sanity and the life of the cable. Learn how to over and under cable. It’s really easy. Create a loop a foot and a half to two feet or more. Keep looping the cable again and again, letting it roll underneath itself when it wants to, usually every other loop. To most people this sounds incredibly elementary, but most stagehands around the world don’t do it, either because of ignorance or apathy. That’s why I also suggest that you wrap your own cable. Don’t let a stagehand do it unless you know him or have seen him do it. Usually a quick lesson won’t help either. You can, however, let a hand help you pull or untangle wire. Wrap you own stuff and it’ll last a lot longer. You’ll also keep your sanity the next day when it just flows off the roll as you load in. My experience with triax and BNC cable is that if you wrap them in a larger three-foot or so loom, they last longer and roll out better.

Proper cable rolling might seem like a minor thing, but if you work with a crew that loads and unloads equipment every day, at best, you'll look like an amateur if you don't do it right, and at worst, you'll really piss some people off if they have to re-do all your cables at one in the morning when they're trying to pack up.